"The Legend of Korra" -- 70 Years After "Avatar: The Last Airbender"

Image © Nickelodeon

Michael DiMartino and Bryan Konietzko created one of the best animated television shows of all time with Avatar: The Last Airbender. As the series unfolded, viewers watched the adventures of a young man named Aang as he fought to bring peace to a world at war. The show's episodes were brilliantly written tales that balanced humor, romance, and drama in a way rarely seen in American animated televisions shows.

DiMartino and Konietzko just announced that in 2011, Nickelodeon will be airing a sequel to Avatar tentatively entitled "The Legend of Korra." Where the original series was a world-spanning road trip, "Korra" will have a great deal of its action take place in a central location called Republic City. Where the bending skills of the Avatar were admired by the good citizens of the world, "Korra" will adventure in a world where (according to the creators) there is a major "anti-bender" revolt going on. Where Aang had only mastered Air-bending and spent the series wandering the globe while mastering the other three arts, "Korra" begins the tale with Korra having mastered Earth, Water, and Fire and will receive training in Air-bending from Aang's son.

If past is prologue -- and it often is -- then 2011 will be one of the best years for television animation ever. It will see the return of "Iron Man: Armored Adventures" and the start of "The Legend of Korra."

In the meantime, we'll have to wait and watch episodes of Avatar: The Last Airbender to fill our addictive cravings.

Now, if we can only get Nickelodeon to release an Avatar roleplaying game.

Watch -- Avatar: "The Awakening"

Some Thoughts on the 2010 Diana Jones Award

Yesterday, the mysterious and secretive committee behind the Diana Jones Award announced this year's nominees for the prestigious annual award.

One of the things that I really like about Diana Jones short lists is the diversity of the nominees. As usual, this year's list of nominees is an impressive one that combines things that are well known in the hobby as well as those that are more obscure. Also as in prior years, the list is a mix of games that incorporate new ways of infusing narrative experiences in a gaming format, services that benefit the hobby as a whole, excellence in game design, and artistic workmanship.

The committee is to be praised for their list this year. The nominees are discussed in the Committee's press release:

The committee of the Diana Jones Award has released the shortlist for its 2010 award. This year the shortlist contains four nominees that in the opinion of the committee exemplify the very best that the world of hobby-gaming has produced in the last twelve months. In alphabetical order, they are:

BOARDGAMEGEEK, a website edited by Scott Alden and Derk Solko; CHAOS IN THE OLD WORLD, a boardgame by Eric Lang, published by Fantasy Flight Games; KAGEMATSU, a role-playing game by Danielle Lewon, published by Cream Alien Games; MONTSEGUR 1244, a role-playing game by Frederik Jensen, published by Thoughtful Games

The winner of the 2010 Diana Jones Award will be announced on the evening of Wednesday 4th August, at the annual Diana Jones Award and Freelancer Party in Indianapolis, the unofficial start of the Gen Con Indygames convention.

ABOUT THE NOMINEES

Boardgamegeek
A website edited by
http://www.boardgamegeek.com

BoardGameGeek is a resource without peer for players of board and card games. Its comprehensive database is a first and best reference for both staunch grognards and casual non-gamers, presenting not only reference data about games but also the reviews, opinions, expansions, photos, and session reports of its membership. The site's internal economy effectively rewards those who continue to make the site broader, deeper, and stronger, and as a result its community is smart, enthusiastic, and steadfast. In 2010, BoardGameGeek celebrates its tenth anniversary, adding longevity to the roll of its merits. In one small corner of human endeavor, BoardGameGeek's exhaustive knowledge base, devoted community, and collaborative bedrock exemplify the absolute best that the Internet has to offer society.

Chaos in the Old World
A board-game by Eric Lang
Published by Fantasy Flight Games
http://www.fantasyflightgames.com/edge_minisite.asp?eidm=84

In Eric Lang's Chaos In The Old World, players take the roles of four cruel and hateful gods, competing—and cooperating—to debase and destroy the human world. Lang takes the heart and flesh of the Warhammer cosmos and stretches it as tight as a drumhead across a boardgame that richly evokes the baroque insanity of its source material while remaining elegant and rational in design. Side elements feed game play rather than distracting from it, and each god fulfills its individual character while reinforcing the game's structure as a whole. The basic mechanics repeat and reveal themselves from new angles, channeling competition and fueling flavor as the game builds to its climax. Simultaneously rewarding planning and immersion, Chaos In The Old World masterfully bridges the board-game design gap between European architecture and American art.

Kagematsu
A role-playing game by Danielle Lewon
Published by Cream Alien Games
http://sites.google.com/site/creamaliengames

With Kagematsu, creator published roleplaying games boldly continue their advance into uncharted territory. Set in Japan, the game flips genders on the players, casting men as village women whose efforts to romance the wandering ronin Kagematsu are judged by the woman playing him. The text is lucid and elegant. The game plays to a natural conclusion in four or five hours—resolving the fates of the women, Kagematsu, and the village—with no need to force things along to finish on schedule. And play is lush, anxious, and partakes of great dramatic energy from its tight mechanics and device of gender-reversal.

Montsegur 1244
A role-playing game by Frederik Jensen
Published by Thoughtful Games
http://thoughtfulgames.com/montsegur1244/index.html

Montsegur 1244, by Frederik Jensen, uses actual history to frame a tightly focused game that explores faith, loyalty, and the bonds of kinship. Using the final, brutal siege in the Catholic crusade against the Cathar heresy as a backdrop, players take the roles of true believers trapped in the fortress of Montsegur. As the inevitable endgame draws closer, each player must decide—will their character abandon their faith and recant, or will they burn for what they believe? This single, simple choice drives the entire game. Montsegur1244 succeeds brilliantly in evoking the horror and pathos of the doomed Cathars, and combines the best of Nordic and North American roleplaying traditions. The game is carefully structured where it needs to be and completely freeform where it doesn’t. Elegant, simple mechanics support play that is often surprisingly emotional. The choices players are presented with are impossible to reconcile. The tangled web of family, love, duty and belief only amplify the difficulty of the decision each must eventually make.

ABOUT THE AWARD
The Diana Jones Award for Excellence in Gaming was founded and first awarded in 2001. It is presented annually to the person, product, company, event or any other thing that has, in the opinion of its mostly anonymous committee of games industry alumni, luminaries and illuminati, best demonstrated the quality of 'excellence' in the world of hobby-gaming in the previous year. The winner of the Award receives the Diana Jones trophy.

Past winners include industry figures Peter Adkison and Jordan Weisman, the role-playing games Nobilis, Sorcerer, and My Life with Master, and the board-game Ticket to Ride. The 2009 winner was the card-game Dominion designed by Donald X. Vaccarino and published by Rio Grande Games.

This is the tenth year of the Award.

CONTACT
For more information, see the website www.dianajonesaward.org or contact
the committee directly: committee@dianajonesaward.orgthe committee directly: committee@dianajonesaward.org

As I wrote above, this is indeed a list filled with games and services worthy of nomination. It is also a list that deserves some commentary.

First, the nomination of Boardgamegeek seems to be a gimme at first glance. The website has been a hub for hobby board gaming enthusiasts for the past decade and is an invaluable resource for players and collectors. I wish the site was more user friendly with regard to helping me find news on upcoming games. When one has limited time, paging through the site can become a tad bit of a chore -- a pleasurable chore filled with new and exciting information, but a chore none the less.

That's just at first glance. At deeper glance one realizes that the committee ought to have nominated GeekDo, the website that is the descendant of Boardgamegeek. It contains all of the BGG pages, but now includes areas for role playing game and video game collectors as well. The site has moved beyond boardgaming and has become the best representation of the gaming hobby as a whole.

Chaos in the Old World is a marvel. The game proved that it was still possible, and desirable, for a company to make a board game based upon a miniature game's setting. Back in the 80s-90s Games Workshop produced scads of wonderful games like Warrior Knights, Blood Royale, Doom of the Eldar, Battle for Armageddon. Some of these were board games with no relation to GW's miniatures lines, but some where and these were quality media tie-in games. When Fantasy Flight Games announced they had an agreement with GW to produce games based on Warhammer, and 40k, intellectual property, the hobby rejoiced knowing that some great games were going to be re-published. What they didn't know was that FFG had creators like Eric Lang and Jeff Tidball who would be designing new and wonderful games to add to the pantheon of the GW boxed board game. Lang's Chaos in the Old World is one of the best games of deities doing battle every designed, it is also one of the best media tie-in games produced.

I had never heard of Kagematsu. After reading the reasoning behind the nomination and visiting the website, I immediately purchased the game. This is a beautiful looking game, the component design alone is art, with an intriguing premise. I don't think my regular gaming group will have any interest in the game, but I will love reading it. I don't know how vital the "gender reversal" elements of play are, I think that the shifting of what constitutes protagonist player roles is in and of itself intriguing. Playing the villagers instead of the adventuring hero is a greatly overlooked focus.

Montsegur 1244 is the Grey Ranks of this year's nomination group. The game takes the final days of the Crusade against the Cathars and puts the players in the role of the besieged heretics. Throughout play, the players explore the emotions and consequences of choosing religious faith over life itself. The game combines tragedy and a powerful historic setting, like Grey Ranks, and I look forward to reading more about this product. I am also a fan of the movement in games that attempts to structure play that is educational and emotionally powerful. These are the games that make claims like "games can change the world" less laughable than people might otherwise think and that return play to the "sacred" sphere it originated from.

There is a company that I would have lobbied for were I a member of the Diana Jones Committee because it meets quite a few of the standards exhibited by past and present Diana Jones nominees. I would have added Victory Point Games to the list. Victory Point Games is a DIY gaming company that is affiliated with a game design program at a Southern California university. The company not only makes a wide array of games covering a wide array of play styles, but they have it as a motto that he who plays should design. A key goal of the company is to turn its customers into game designers. There are only three other companies/institutions that I think can make a strong claim to that goal: Wolfgang Baur, Robin Laws, and the folks at Gameplaywright.

Any company that has as a central goal turning its customers into designers is definitely thinking about the future of the hobby in ways that deserve recognition. Maybe the committee will consider Victory Point Games next year.

Let Isaiah Mustafa Be Luke Cage

Luke Cage and Black Panther are two of the coolest superheroes ever created. For years I have created mental "casting calls" for the two characters. Typically, Wesley Snipes gets cast as Black Panther -- my favorite Avenger -- but my ideal Luke Cage has been more fluid.

Recently, I have tended toward Brian J. White. I really like Brian J. White as an actor, but even when he's an antagonist (like in Fighting) he's too likable to be the hard nosed Cage. That doesn't stop me from having him return to the top of my casting list.

Hollywood has been considering Tyrese Gibson for the role. Tyrese can certainly bring the edge the character requires, but he looked a lot more than 1" shorter than Paul Walker in 2 Fast, 2 Furious. Luke Cage should be intimidatingly tall and Tyrese, has never seemed tall in the films he has starred in.


I am a big fan of Taye Diggs, and his performance in Equalibrium cemented him in my mind as someone who can portray an intense action star. His work in projects like Private Practice prove that he can bring a nice softness to a role as well. My ideal Luke Cage needs both. He needs the anger and the empathy.

What none of these actors share, to the best of my knowledge, is a deep and abiding love for the character and for comics in general.

Isaiah Mustafa does. Not only has he been awesomely entertaining in the Old Spice Commercials, but he is a comic book fan who has publicly expressed his affection for the character.

I know, I know...you're going to say that Nicolas Cage is proof that fandom and genuine love for a medium doesn't necessitate quality films, we can argue that another time. I for one have enjoyed Nicolas Cage's films, even some that were universally panned. There's a kind of sincerity to them that is often lacking in productions. That sincerity matters.

Watching the G4TV interview below with Isaiah Mustafa convinced me that he has the sincerity. His willingness to fully commit to the Old Spice commercials, not matter how ridiculous they get, puts him at the top of my list of Luke Cage candidates.

Game Reviews - E3 2011 - Movies and TV

Let's get Isaiah Mustafa to star as Luke Cage.

Bill Willingham Contemplating Marathon RPG Session at Gary Con 2011

Bill Willingham -- author of DC Comic's FABLES, early Dungeons and Dragons illustrator, and creator of the classic independent comic book THE ELEMENTALS -- recently posted on Monkey House Games' website that he was planning on attending next year's Gary Con.

But wait there's more.

Willingham posted that he was hoping to run a game session at the convention, but this wouldn't be just any game session.

Mr. Willingham plans to run a 3-day non-stop marathon session in which players will experience an entire Villains and Vigilantes campaign.

That's right. A legendary comic book writer wants to run a 3-day gaming session using one of the oldest Superhero roleplaying game systems at a small local convention that honors one of the founders of the roleplaying hobby.



Does that sound like heaven or what?

Steve Jackson Games Offering Early Space Gamer Issues on e23

From many of my prior posts, it's probably pretty clear that I am a great admirer of The Space Gamer magazine that was published by Steve Jackson Games in the early 80s. Over the course of the magazine's lifetime, it changed hands no fewer than four times, but it is the Steve Jackson era that stands out as a particularly high point for the magazine.

During the Steve Jackson era, The Space Gamer was THE magazine where gamers could find reviews covering the breadth of the gaming hobby. They had review and news columns covering rpgs, miniatures, and play-by-mail games. Key among the reviews was the magazine's "Capsule Reviews" section where gamers could find thoughtful reviews of dozens of gaming products in every issue. This magazine is one of my favorite resources when I am looking for archival information about the history of the gaming hobby. Reading The Space Gamer one quickly sees that the "current" animosity that some gamers feel toward Wizards of the Coast -- the current owners of Dungeons and Dragons -- is nothing new. Back in the 80s, during the Gygax era, TSR (the owners of D&D at the time) had huge layoffs on a regular basis and were as sue happy as modern gamers claim Wizards is today.

In addition to rules and news, The Space Gamer issues often featured fully playable board games. Kung Fu 2100, Globbo, Battlesuit, and Necromancer were all games that originally appeared in the pages of TSG. The pages of the magazine also featured regular articles by people who are now giants in the gaming industry. People like Allen Varney started their game designer careers as contributors to the Letters page of TSG. Lord British wrote articles discussing his designer notes for Akalabeth and its origins.

For years, I have been collecting back issues by scouring eBay on a regular basis. Some of the issues are more expensive than others, and I have had to wait through several auctions on a couple of key issues. eBay, garage sales, used games sections, and used book stores used to be the only places one could legally acquire copies of TSG. Now that has changed.

Steve Jackson Games has finally made the first three SJG issues of The Space Gamer available on their e23 electronic publication store. Potential readers can now find issues 27, 28, and 29 at the website where they cost a mere $2.99 each. For these, and for any TSG issues, this is a bargain.

Go. Buy them now. Read them. Enjoy the in depth look at the early days of our hobby.

You can even get a free preview of issue 29 here.

Let's hope they keep adding new issues for us to purchase.

Mongoose Publishing Releasing "Classic Chaosium" Michael Moorcock RPGs in PDF

I am happy to see that a number of publishers are using digital publishing to keep old and out of print games in the marketplace. In the modern market, there is no excuse for not having old products available. All you do is feed a secondary market and feed digital piracy. While digital pirates will still steal products that are made available digitally for sale, more honest purchasers have a way that they can support the games that they love. It allows new players to be introduced to historic games, and it allows people who own physical copies to keep those in more pristine shape and use the digital copies instead.

Mongoose Publishing has long been using the digital distribution stream, and they have now made the classic Chaosium Michael Moorcock inspired Basic Role-Playing games available for purchase. This includes the excellent first edition of Stormbringer by Tunnels and Trolls' own Ken St. Andre.

I know there are some who have mixed feelings about Mongoose Publishing's business practices during the early d20 boom. No one can deny that Mongoose looked at the upcoming releases of other companies and rushed out versions of similar products that were released prior to those of their competitors. This often led to inferior product by Mongoose and diminished sales for the original company. I share these mixed feelings regarding Mongoose and d20.

That said, I have been impressed with Mongoose Publishing in the Post-d20 marketplace. They have done quality editions of Traveller, and adapted Judge Dredd and Hammer's Slammers to that system seemlessly. I am also enjoying their -- slightly overpriced -- new Lone Wolf role playing game.

Regardless of what you think about Mongoose, you might want to consider what Michael Moorcock had to say about Chaosium in Kobold Quarterly #5:

"Or course, Chaosium turned out to be crooks, paying no royalties, ripping me of, behaving in a dodgy way. I tried over the years to get the stuff away from them, but it wasn't until Mongoose made a serious offer to Chaosium, plus an offer to me, that I was able to switch. Mongoose have proven a completely trustworthy firm... Gary [Gygax] told me he wished he'd known the circumstances, since he had other ideas for EC games. I too wish I'd signed with GG, who seemed a pleasant and agreeable guy."

Quite a different picture than one might have imagined. Chaosium is one of the venerable and trusted names in gaming, and most early vitriol regarding "game publisher greed" were aimed at TSR. Those anti-TSR flames were often fanned by fans of Chaosium, so if Moorcock's claims are true it puts the early days of the hobby in a different light.

I don't know the truth of Moorcock's anti-Chaosium claims, but I'll take him at his word with his pro-Mongoose praise. If purchasing the pdfs means the good author gets royalties, then count me in as a customer.

A Gamer's Treasure -- Different Worlds #23

To say that Different Worlds Issue #23 is one of the highest Superhero Themed Gaming Magazine issues of all time would be an understatement. It closer to the truth to say that this particular issue of Different Worlds is one of the best -- if not the single best -- issue of a gaming magazine ever published.

Issue 23, the "Special Superhero" issue, was published in August of 1982 just as superhero roleplaying games were beginning to emerge in the marketplace. 1977 had seen the release of Superhero 2044. This game was quickly followed by the release of the 1st edition of Villains and Vigilantes by Jeff Dee and Jack Herman and Supergame Aimee Karklyn and John Hartlove. By the time Champions emerged in the marketplace in 1981 at the Origins Game Fair, where it set a new standard in superhero gaming, the genre was well established as a successful gaming milieu.

During the early 1980s, fewer gaming magazines were "House Organs" that existed purely to promote the products of the company that published the magazine. The vast majority of these magazines were published by gaming publishers, like today, but these publishers frequently featured articles containing content for their competitor's games and advertisements for their competitor's products. Dragon, The Space Gamer, and Different Worlds were published by TSR, Steve Jackson Games, and Chaosium but they didn't limit themselves to promoting their own products. Of these magazines, Dragon ran the fewest articles covering competitors' products but it contained a significant amount of external advertising. It wasn't until the publication by Steve Jackson Games' AutoDuel Quarterly that a company produced a magazine with the sole goal of promoting a single product line.

If Dragon was the stingiest when it came to containing articles about other companies' offerings, Different Worlds and The Space Gamer were in heavy competition for which magazine was the most generous in supporting the hobby first and the company second. Both were excellent magazines that are sorely missed today.

It is in this environment that Different Worlds issue #23 "hit the stands" and set a high mark for what a magazine could do in support of the hobby itself. If you were considering starting up a magazine that covered the whole RPG hobby -- I'm looking at you d∞ -- this is the issue I would point you toward to demonstrate how to do a themed issue.

The issue had content that supported all of the major superhero roleplaying games of the day, had reviews of several of their products, and had reviews of some of the smaller emerging titles of the time.

Let's have a look at the issue:

Superhero 2044: Part-Time Superhero -- This five page article, written by the game's designer Donald Saxman, provided designer notes for the game, supplemental rules, and an adventure that players could run in their own campaigns. The inclusion of a couple of new characters is helpful to GMs and players who want to use this system.

Villains and Vigilantes -- Pages 14 and 15 of the issue have a detailed discussion, by game designer Jeff Dee, of the history of the game and the changes that Dee and Jack Herman made to the system for the newly released (in 1982) 2nd edition of the game.

Supergame -- Jay and Aimee Hartlove have a four page article that has a detailed discussion of the game's development and history. This article also includes Supergame conversions of The Incredible Hulk (Marvel), Raven (DC), Captain America (Marvel), Wonder Woman (DC), Batman (DC), Spider Woman (Marvel), and Wolverine (Marvel). This article prompted years of searching for copies of Supergame, a search that was not completed until 2002 when I found copies of the first and second edition at the War House in Long Beach. Modeling existing characters within a specific gaming system is one of the best ways to demonstrate what the benchmarks of a given game are and Jay and Aimee did a bang up job in this issue. They also discussed the limitations of their game.

Champions has two articles back to back in the issue. The first is a set of designer notes by Steve Peterson. Modern Champions players may not be able to envision a day when Steven Long wasn't the man behind the rules set, and he has been a boon for the game, but it's nice to read what the creator of a game thought of his rules and how he wanted them changed for the second edition. The first edition of Champions was a 64 page rulebook released in 1981, Hero Games released a second edition of 80 pages a year later. That "revised" edition contained a number of significant changes. This second edition was the edition of the game I cut my teeth on, though the 4th edition was the one I played the most and still find to be my favorite edition. What is particularly praiseworthy in Peterson's notes is how responsive he was to how the game was being played. Given that he was a decade before the internet -- though there was a significant BBS community for the game -- it is even more remarkable.

The second article for Champions is an article by Glenn Thain, a name you will find repeated in many of the early superhero rpgs and someone who has a knack for testing the limits of systems in character design, where he presents statistical representations for the John Byrne era X-Men. This article shaped the way that I viewed game balance for quite some time. In hindsight I think that Thain's fandom for the characters made him make them a little more powerful than they would have been written up by a more neutral evaluator. Regardless of quibbles, Thain presents some good guidelines to be used in individual campaigns that wish to model superheroes. Thain provides statistics for Sprite (Kitty Pride/Shadowcat), Storm, Colossus, Nightcrawler, Cyclops, Wolverine, and Magneto (giving one villain). Given the accuracy of the emulation of the abilities of the characters, this article is a great demonstration of the versatility of the Champions system -- even before it became a 900 page omnibus.

Superworld -- Given that Different Worlds was a Chaosium organ, one would expect to find a section discussing their superhero entry Superworld and Steve Perrin provides a nice designer notes and errata article for the first edition (the one in the Worlds of Wonder boxed set) of the game. Superworld is based on the Basic Role-Playing system, and as such has one of the most intuitive mechanical systems as its underlying structure. Tell someone that they have to roll 11 or less on 3d6 to accomplish a task and they may or may not understand what the probabilities of success are. Tell them that they have a 55% chance and it is instantly crystal clear. Superworld's system is a percentile based one. It is no wonder that this game became the basis for George R. R. Martin's shared world anthology Wild Cards. The game is versatile and easy to understand. The first doesn't have a large power set, but that was soon changed with a second -- and stand alone -- version of the game.

Like Champions, Superworld gets an article wherein the X-men are modeled using the system. In this case the X-Men represented include a couple missing from the prior article. They are Angel, Storm, Professor X, Sprite (Kitty Pride/Shadowcat), Wolverine, Nightcrawler, Cyclops, Colossus, and Magneto (the villain).

In the reviews section of the issue, there are reviews of Supervillains by Task Force Games (a deservedly negative review by Steve Perrin), The Official Superhero Adventure Game by Brian Phillips (a relatively positive review of the independently published game -- a game that I desperately wish to own), Death Duel with the Destroyers an adventure for Villains and Vigilantes (a deservedly positive review by Steve Perrin), The Ysgarth System (a mixed review of a game that became the foundation of a near impossible to find superhero rpg entitled Challengers).

There are many other noteworthy aspects to the issue, not the least of which is the sweet Bill Willingham cover, so if you are a fan of superhero rpgs you absolutely must track down a copy of the issue. My personal copy is one of the "Collector's Reprints."