Watch the (fake) The Day After Ragnarök Movie Trailer, then Buy the Book

YouTube creator "BloodRunsClear" has created a movie trailer for an imagined film based on Kenneth Hite's remarkable Savage Worlds game setting The Day After Ragnarök (DAR) by Atomic Overmind Press.

Kenneth Hite has long been respected as one of the most talented writers in the gaming hobby, and has been a long time advocate of the independent game publisher movement. His "Suppressed Transmission" column for the online version of Pyramid Magazine was a must read while it existed was a rich source of inspiration for game masters everywhere. Hite has the capacity to connect seemingly unrelated events/objects in ways that were an almost "how to" education in designing alternative histories/presents. Reading his column, I always wondered what would happen if Kenneth Hite took the talents he demonstrated in "Suppressed Transmission" and applied them to an rpg setting. With The Day After Ragnarök Hite answered that question and it is a magnificent amalgam of Pulp goodness. Let's just say it's a setting that is a post-WW II Norse Apocalypse as seen through Robert E. Howard's eyes. It's a world where both Doc Savage and Conan would be welcome, and where characters of classic noir films stand in the shadows.

J. Eric Holmes on Miniatures

James over at Grognardia has been discussing references to miniatures use in Old School RPGs in a couple of recent posts -- one on Basic Roleplaying and one on Traveller -- and I thought it would be nice to offer a couple of thoughts on the topic by the author of the first D&D Basic Set.  He wrote the following comments in his invaluable book Fantasy role playing games (Hippocrene Books 1981):

When role-playing grew out of fantasy war gaming, many of the players were used to playing games with armies of toy soldiers. The first Gygax rules, Chainmail, were intended for just such games, and allowed for the fantasy element...

Dr. Holmes clearly articulates the rpgs have their origins in miniatures wargames, or at least their rules do.

The metal miniatures are not a necessary ingredient of the fantasy game, which runs perfectly well without them.

He also posits that they are not necessary for play of the modern -- in 1981 -- roleplaying game. This comment fits within the context of the book as an example of where Dr. Holmes is attempting to remove any intimidation a reader might have regarding RPGs if miniatures are required. Given that all the pictures of Dr. Holmes playing -- in the book -- include the extensive use of miniatures, I think this is the case.

The fantasy gamer is usually concerned with a few figures representing the player characters and their opponents, and for these encounters the 25mm scale is ideal. There are an almost unlimited supply of figure possibilities.

To use figures or not to use figures, that is the question for the fantasy role-player. Minifigs's Steve Carpenter says that if your eyes don't light up when you first see the tiny armies on the table top, you will never get the bug or understand someone who has.

These quotes exhibit that while Dr. Holmes has an appreciation for the use of miniatures in the game, he is ecumenical about who plays the game. Some people don't understand the appeal of miniatures in the game, that is perfectly understandable. But for those who are merely intimidated by the prospect, he has the following advice:

Another way to get started is to begin playing one of the role-playing games without figures. After the game has been going for a while and has gained a regular group of players (a few will always drop out or join up after the initial games), introduce the first use of figures. There should be figures of the regular characters in the game and one or two monsters. Other monsters can then be represented by small chesspieces, or unpainted figures, or even blobs of plasticene clay.

These sentences add to my earlier assertion that Dr. Holmes' comments that "miniatures are unnecessary" were partly to assuage any fear of financial bankruptcy that may be caused by joining the hobby. Here he adds an economical way to incorporate minis.

He finishes the chapter with this:

There are advantages to having figures on the table to represent the characters in a game...

The placing of figures facilitates [a] kind of dialogue with the referee and vastly increases the ease of visualization. Since many game melees are just that, a melee of characters and monsters running about and in and out, the poor referee finds it a lot easier to keep track of them all when they are represented by tiny metal sculptures. And, finally, the whole thing makes an exciting and pleasing spectacle!

Miniatures use isn't a new part of the hobby. Nor is there a greater financial focus on miniatures than in the past. TSR created their own miniatures company in the 80s under Gygax/Blumes, and lobbied to put others out of business to reduce their competition. They hired Duke Siefried to assist them in the financial endeavor. Miniatures and D&D as an industry have always gone hand in hand, even though D&D in home games hasn't been ubiquitous.

RIP: J. Eric Holmes (1930 - 2010)

I read the news that J. Eric Holmes passed away on March 20, 2010 due to complications from a stroke on James Maliszewski's Grognardia blog yesterday. For players of role playing games of a certain generation, this is very sad news indeed. His passing is all the sadder because there are so many who don't know how much he contributed to the role playing game hobby. Dave Arneson and Gary Gygax created and promoted new hobby through their Dungeons and Dragons role playing game, but it was J. Eric Holmes who made that game intelligible to the world at large. His efforts, and those of Tom Moldvay and Dave Cook, are major contributions to the growth of the hobby as a whole.



J. Eric Holmes wrote the first "Basic" edition for the Dungeons and Dragons game, he describes how he -- a Professor in the Department of Neurology at USC at the time (Fight On!) -- came to write the product in his informative book Fantasy Role Playing Games (Hippocrene Books 1981) as follows:

In 1974 I persuaded Gygax that the original D&D rules needed revision and that I was the person to rewrite them. He readily conceded that there was a need for a beginners' book and "if you want to try it, go ahead..." I edited a slim (48 pages) handbook for beginners in roleplaying, published by TSR in 1977...

Without that Basic set, the role playing game hobby may have aged out with the older generation who were the majority of the audience playing the game prior to the publication of Holmes' work. Gary Gygax wrote of the importance of the Holmes Basic set to the hobby as a whole in Dragon #22:

If millions take to the fantasy world of J.R.R. Tolkien, and nearly as many follow the heroic feats of Conan, the market potential of a game system which provides participants with a pastime which creates play resembling these adventuresome worlds and their inhabitants is bounded only by its accessibility. Access has two prominent aspects; availability is the first; that is, are potential players informed of the fact that the game exists, and are they able to physically obtain it; and difficulty is the second, for if once obtained the game is so abstruse as to be able to be played only by persons with intelligence far above the norm, or if the game demands a volume of preliminary work which is prohibitive for the normal individual, this will be recognized and the offering shunned even if it is available. D&D failed on both counts, and still it grew. Today we are putting D&D onto the track where it is envisioned it will have both maximum availability and minimum difficulty. This is best illustrated in the "Basic Set."

Well over two years ago we recognized that there was a need for an introductory form of the game. In 1977, the colorfully boxed "Basic Set" was published. It contained simplified, more clearly written rules, dungeon geomorphs, selections of monsters and treasures to place in these dungeons, and a set of polyhedra dice -- in short all that a group of beginning players need to start play with relative ease.

Without the "Basic Set," D&D would have grown due to the size of the interested market, but it would not have had explosive growth. Gygax is right that the original rules failed on both the above counts, he is also right that the "Basic Set" succeeded on both. This is evident is that the "Basic Set" increased sales exponentially as it provided a pathway to the other products -- a well lit and easy to follow pathway. In the article quoted above, Gygax states that between January 1974 to December 1975 (two years of sales) 4,000 sets of the original rules were sold. Comparably, at the time the article was written (February 1979) the "Basic Set" was selling 4,000 copies per month, "and the sales graph is upward."

Holmes articulated the underlying difficulty of the original rules as follows:

When Tactical Studies Rules published the first DUNGEONS & DRAGONS rule sets, the three little books in brown covers, they were intended to guide people who were already playing the game. As a guide to learning the game, they were incomprehensible. There was no description of the use of the combat table. Magic spells were listed, but there was no mention of what we all now know is a vital aspect of the rules: that as the magic user says his spell, the words and gestures for it fade from his memory and he cannot say it again.

Holmes understood that gaming companies needed to write products that could introduce people to the hobby. They needed to promote their products to broader demographics if they wanted to survive as a viable industry. Roleplaying games tend to get more and more complex the longer the rules set remains in play, and thus become more difficult for the neophyte player. One response to the "rules bloat" has been to reboot with new editions, but this can alienate your existing player base who enjoy the complexity the game has to offer. The other solution is to offer an introductory version of the game. The hard core current players will not, as a block, purchase the product, but it is a great way to introduce new players into the hobby.

Hasbro is attempting to apply this lesson with product offerings that are coming out later this year -- among them a new Dungeons & Dragons Introductory Set.

John Eric Holmes was a great advocate for the role playing game hobby, a gaming enthusiast, and the game designer responsible for making D&D rule accessible. He was also an active member of Edgar Rice Burroughs fandom. He is definitely someone I would have loved to meet.

From one Trojan gamer to another, all I can say is Fight On!

Oligatory Sharing of George Lucas Exploiting Gen-Xer's Love of Star Wars Post

The video featuring Darth Vader in a sound booth recording directions for the Tom Tom navigation device is very amusing and deserves to be shared for its entertainment value alone. That doesn't mean that I don't feel a pang of irritation with how George Lucas continues to mock, ridicule, or ruin what was an amazing experience for me as a child. Lucas has always exploited the market potential of Star Wars -- especially on the merchandising end -- but this seems a bit forced. Yes, it seems even more forced than Star Wars Slurpee cups or Burger King mugs.

It's odd being in an aging demographic that still finds the imagery of its childhood to be effective for commercial appeal. For all my irritation, I'm considering saving up to buy one of these. Can you imagine a Baby Boomer saving up to buy a Jonny Quest -- or Yogi Bear -- voiced GPS system? Heck, even a James T. Kirk one would probably appeal to Gen X more than Boomers. We're an odd bunch.

It should be mentioned that the Darth Vader video pales in comparison to Orson Welles discussing peas.

My Favorite "Non-Wizards of the Coast/TSR" Fantasy Setting

Those who have known me for any length of time know that I am deeply passionate about my love of two Fantasy roleplaying game settings that were released by TSR in the before times many moons before Wizards on Coasts made roleplaying games about Wizards in Covenants. I am referring, naturally, to TSR's Mystara (the Known World to us Moldvay/Cook players) and Greyhawk settings. The settings come from opposite sides of the Fantasy genre spectrum. Mystara has hope and humor and whimsy. Greyhawk has shades of gray, hopelessness due to the ever encroaching reach of Evil, and shady politics.

You won't find slave trading nations engaging in espionage and sabotage in Mystara and you won't find the Elvish Liberation Front in Greyhawk. I find no contradiction in the fact that I love two settings so diametrically opposed in their respective tones. Mystara's Pratt/DeCamp style is wonderful fun to play around in, as is Greyhawk's Howardian/Moorcockian gloom. No fantasy setting has set my imagination alight in quite the same way as these two have. Eberron comes close, but it is in many ways a combination of those two worlds.

There are quite a few Fantasy settings written by companies other than Wizards of the Coast, and many of them are very good. Green Ronin's Freeport setting is very popular. The old school Tekumel holds cache with many. The City State of the Invincible Overlord appeals to still others. These are but a smattering of the offerings available, but none of these truly ignite my imagination. I will use ideas from them, to be sure, but none of them call to me at night demanding to be read and re-read.

That honor lies with Paul "Wiggy" Wade-Williams' Hellfrost campaign setting for the Savage Worlds roleplaying game. If Mystara is Pratt/DeCamp and Greyhawk is Howard/Moorcock, then Hellfrost is Poul Anderson/George R. R. Martin. Wiggy's setting takes all that is horrific about medieval stories and puts them into a setting where the players find themselves in a desperate -- and likely hopeless -- struggle against powers beyond their ken. Inspired by the Norse concept of Fimbulwinter, the Hellfrost campaign takes place in a world that is slowly freezing. Summers are getting shorter and shorter, and the winters are getting longer. The god of the sun has disappeared, and may be dead, and the gods of death and winter are growing in power. How does one survive in such a world? Desperately.

The setting is made all the more appealing by the sheer "prolificity" of its author. Wiggy is a writer of the Walter Gibson school. His writing is so prolific that I wonder when he has time to eat, or to play in the settings he has created. Yet, it is evident from his casual internet posts that he does in fact eat and play a great deal. Where most indie rpg companies are lucky to come out with three or four products a year, Wiggy has a new product available on his company's website every week. Since 2008, Triple Ace games has published over 90 products for their fans -- and they are of remarkable quality for the volume.

Do yourself a favor and check out Rassilon -- the world of Hellfrost. It can easily be converted to your favorite rpg system, though it works very well in Savage Worlds.

Gale Force 9 Official D&D Maps and Token Sets Look Nice

Gale Force 9 has some very nice looking products coming down the pipeline in support of the 4th Edition D&D game. Their Character Tokens, Dungeon Master Tokens, and Game Mats all look like great additions to a D&D player's collection.

Roleplaying Evangelism -- Hasbro Targets Young Audiences

Last, I commented about my belief that if the roleplaying hobby wants to remain vibrant and "alive," it will need to recruit younger gamers. The alternative is for our hobby to age with us and fade into the mists of antiquity. When I was growing up, TSR specifically targeted younger gamers with the Moldvay/Cook "Basic" line of D&D products, the Fantasy Forest and Dungeon! boardgames, action figures, and a Saturday morning cartoon.

During the 90s, TSR largely abandoned products designed to appeal to young audiences and shifted to a tone somewhere in the PG-13 range. While their misguided attempt to disassociate themselves from Culture Wars criticisms regarding the games occult content through the removal of the words "Devil" and "Demon" from their early AD&D 2nd edition products might lead one to believe that the company had become "kid centric" as a whole, this belief would be in error. The 90s saw TSR produce the Ravenloft line of horror fantasy products (PG-13 horror to be sure), the Birthright fantasy setting (a slightly darker and more political setting), and the Dark Sun apocalyptic planetary romance setting (Dark Sun as planetary romance deserves a whole post of its own). The only real effort to attract young gamers was Troy Denning's "Black Box" D&D Basic set, a set that happens to be my favorite introduction to the hobby ever written. Denning, who left TSR during the Gygax era to be one of the founders of Pacesetter, is an old hand at writing "new gamer" friendly products and his "Black Box" was a doozy (it too deserves its own post). Aside from this product though TSRs products were aimed squarely at mid-teens and higher. Mystara, Spelljammer, and Dragonlance were for the mid-teens, while Greyhawk, Forgotten Realms, Birthright, Planescape, and Dark Sun were for older audiences. Heck...Planescape has wonderful content that is borderline R rated fantasy. This list doesn't include their X-Files inspired Dark*Matter setting for the Alternity game, that was R for sure.

To some gamers, the fact that TSR wrote so much PG-13 material might make the company seem too "kid oriented." I'm not one of them. When I say that gaming companies need to recruit younger players for the health of the hobby, I mean 8-10 year-olds. This audience was abandoned by TSR in the 90s, to the detriment of the hobby. Pre-90s TSR, for all that grognards think of it as a more "hard core" era of the company had corporate policies directed specifically at attracting younger audiences. To quote a Kevin Blume interview in THE SPACE GAMER #63, "The demographics are moving younger...Our major grouping seems to be from eight to 22...We, ourselves, have adopted a code of ethics and conduct similar to what is used in the comic book industry...People can holler censorship if they want, but that type of material will not be allowed at Gen Con, and the yptes of products that promote sex, nudity, and violence and so forth [sic] are simply not appropriate for this audience...our marketplace is composed of an awful lot of younger people."

Compare Blume's description of the hobby in 1983 with today's gaming audience. It matches the Games Workshop audience, who due to specific outreach (without overt censorship BTW) have managed to increase the number of young players, but it doesn't match other aspects of the roleplaying game hobby.

This is why I was so happy last week when I saw that Wizards of the Coast, in coordination with Moonstone Publishing, had released a free introductory adventure specifically targeted at younger players. This adventure, The Heroes of Hesiod, is based on the Young Reader novel Monster Slayers by Lucas Ritter -- the novel itself is an extension of Mirrorstone's excellent and successful "Practical Guide to" series of books which includes the best selling A Practical Guide to Monsters.

Wizards aggressive recruitment of younger gamers has also prompted them to publish a D&D version of arguably the best "mass market" miniatures game ever published -- Heroscape.Heroscape Master Set 3 Game. 

If our hobby is to continue to grow, or sustain itself as a mature marketplace, products like these and Faery's Tale Deluxe by Patrick Sweeney, Sandy Antunes, Christina Stiles, and Robin D. Laws need to be produced. As gamers, we need to encourage and support these efforts as much as we fight against them censoring down the product lines for adults. There is nothing wrong with hobby gaming becoming such a mature market that there are separate product lines for kids, teens, and adults. All that matters is that all of the product lines are of good quality and that companies and fans support them when they are. It was tragic that Wizards didn't support the Knights of the Silver Dragon series in the same way that they are supporting the "Practical Guides" line -- an article in Dragon Magazine is not as aggressive a marketing effort as coordination with libraries and well produced online content.

The funny thing is that the "Practical Guide to Monsters" that was successful enough to prompt this expansion, was itself an extension of the Knights of the Silver Dragon series of books.

Show your support and download The Heroes of Hesiod and play it with your kids/younger friends.