Wednesday, October 03, 2007

Casanegra and "The Jungle"

Last night I began reading Casanegra by Blair Underwood (with Tananarive Due and Steven Barnes), in preparation for an event at the Glendora Library this weekend. I have been a fan of Blair Underwood as an actor, and Steven Barnes as a writer, for some time, which is why I have picked up a book that is outside my routine.

If my reading patterns were hiking trails, the genre hiking trail containing Casanegrafor would be fairly overgrown from lack of passage. I don't read a lot of "straight" mystery stories. When I do read a mystery it tends to fall into one of three categories. They are either extraordinarily noir like a James Ellroy novel, science fiction/fantasy related like Steven Brust's Jhereg books, or "literary" like The Moonstone. Thankfully this book falls into the first category (noir) and takes place in one of my favorite noir cities, Los Angeles.

Those of you who listen to my online radio show probably know that when I read or watch something that takes place in Los Angeles, I really want it feel like it takes place in the city where I live. I don't like things that make Los Angeles look too glitzy, or that overlook the dark sides of the city. I also don't like things that make the darker elements of the city look like a post-apocalyptic wasteland. Neither is true. Los Angeles is a wonderfully complex urban environment that has a lot to offer a storyteller and a reader/viewer. I have come to love this city and its neighbors, even though (or likely because) my first five years in Los Angeles were spent in the Baldwin Village section of the Crenshaw district. I often describe Los Angeles as a geode. It looks rough on the outside, but when you crack it open you find some pretty wonderful stuff.

I am only a third of the way through Casanegra, but I can already tell that it does in fact take place in the "city I live in." But I did encounter one little bump along the way, and it happened very early. The book describes one of the characters in the following way, [she] "had more brokers on her speed-dial than a girl from the Baldwin Hills "Jungle" had any right to fantasize about." I had to do a quick double take. From my understanding, "Baldwin Hills" is the more affluent area just West of La Brea, whereas Baldwin Village, "The Jungle," is the area East of La Brea is the thoroughly gang dominated neighborhood where I used to live.

If you click on the map below you will be directed to a larger image where you can see three arrows. The green arrow is the intersection of Hillcrest and Martin Luther King Jr. which, according to Wikipedia, marks the center of "the Jungle." You can also see La Brea, as a dividing line, on the far west of the map.
Baldwin Village was not very far from Culver City, where my wife and I went to mass, but the environments were night and day. I still believe that the inner city grocery stores are given lower quality produce and dairy products.

The purple arrow along Rodeo Road is the location of my old apartment, the track across the street is Dorsey High School.

The red arrow marks the location where the body of the Black Dahlia was discovered, it is about two blocks away from the Krispy Kreme on Crenshaw across the street from the Baldwin Hills Crenshaw Plaza Mall.



It was after checking the map and reading up on what "exactly" is considered The Jungle that I overcame my little speed bump. I think it would be fair to say that since the "Baldwin Hills" mall is in the Jungle that one might imagine someone referring to the area as Baldwin Hills instead of Baldwin Village. So I was able to jump back into the book and continue my walk along the path. I do have some stories regarding my experience living in the area, but most of those will have to wait for another time. Needless to say, watching Remember the Titans early on a Wednesday afternoon at the Magic Johnson theaters is not on the list of wise choices I have made, but it was a choice I was glad to have made.

Monday, September 24, 2007

Impoverished Ninjas Resort to Robbing Convenience Store



And here I thought with Kane Kosugi (son of legendary ninja Sho Kosugi, and star of the Ninja Warrior reality show) starring in War that ninjas were doing better than this financially.

Difference Between Science Fiction and Fantasy

Janice Harayda, over at One-Minute Book Reviews posted (and linked) some comments Michael Crichton made three decades ago with regard to the state of science-fiction and fantasy literature. To quote:

“As a category, the borders of science fiction have always been poorly defined, and they are getting worse. The old distinction between science fiction and fantasy – that science fiction went from the known to the probable, and fantasy dealt with the impossible – is now wholly ignored. The new writing is heavily and unabashedly fantastical.

“The breakdown is also seen in the authors themselves, who now cross the border, back and forth, with impunity. At one time this was dangerous and heretical; the only person who could consistently get away with it was Ray Bradbury. Science fiction addicts politely looked the other way when he did books such as Dandelion Wine and the screenplay for John Huston’s Moby Dick. It was assumed he needed the money.”

Michael Crichton “Slaughterhouse Five” in The Critic As Artist: Essays on Books 1920–1970 With Some Preliminary Ruminations by H.L. Mencken (Liveright, 1972), edited by Gilbert A. Harrison


It's interesting to me that Crichton, thirty-five years ago, is making a complaint that still is voiced in the speculative fiction community to this day. Before commenting about whether his assertion that there exists a distinction between fantasy and science fiction is prima facie true, I think it is important to examine the definition of each he offers.

According to Michael Crichton useful definitions for fantasy and science fiction are:

SCIENCE FICTION -- fictional narratives about what is known or probable according to our current understanding of physics, history, etc.

FANTASY -- fictional narratives dealing with the impossible.


It seems to me that these definitions are simultaneously too narrow and too broad. His definition of science fiction, as presented in the quote above and my (possibly ill-conceived) restructuring of it, might lead itself to include a great deal of literary fiction I might not consider to be science fiction. This is even true if I add the word "speculative" prior to the word fiction, which may make for a more robust definition. I can imagine a whole array of speculative fiction about the known that might not be science fiction, though I think to do so I have to ignore an underlying a priori "common sense" understanding of science fiction. Examples of such stories might include Ludlum spy novels or Kathy Reich's forensic anthropology murder mysteries.

Similarly, the definition is too narrow because it leaves no room for the truly speculative story, the story which gets us to question our current understanding of science and inspires younger readers to question and refine that understanding later in life. An Example of this would include the Foundation Series. Think about it. Have we developed faster than light travel, psionics, "Psychohistory," or "PSYCHOLOGY?" Those of you who are familiar with the stories will know that "PSYCHOLOGY" is very different from modern Psychology. All of those things are not only not possible, but most are likely to be improbable.

One could make similar complaints regarding the Crichton definition of fantasy, which includes an underlying assumption that you and he agree regarding what is impossible. Having read Travels, I wonder at how narrow "the possible" is in Crichton's mind.

All of this leads me to what I think is the problem with rigid distinctions, as opposed to "marketing" distinctions, when it comes to defining boundaries for literary genres which deal with the imagined or "speculated." I won't be so bold as to offer definitions that I think distinguish the two, but I will say that I believe that science fiction is a sub-genre of fantasy. This largely stems from my belief that both deal, at some level, with the imagined. Thus the "weird tale" and "horror" story, among others, also fall into sub-genre of fantasy. Needless to say, my understanding of fantasy is extraordinarily broad, possibly too broad. But I don't think so. I think that the fantastic is where the human mind creates some of the most interesting stories. I also think that the science in some science fiction is so far beyond our current ken that it is analogous to magic. Hmm...isn't that Clarke's third law?

My opinion in this regard is heavily shaped by what I read and enjoy. Looking at the origins of science fiction, one finds it's publishing history inexorably merged with the publishing history of fantasy. I have a great love of the pulps and this leaves me wondering where various characters/stories I enjoy would be placed. Is John Carter of Mars a science fiction or fantasy character? What about Carson Napier who has similar adventures, but with a more scientific origin? What about the world of the "Moon Maid" which was in origin an allegory discussing the world under Bolshevik rule? Where does Starship Troopers fall? (Giant Bugs? Wouldn't the exoskeleton's collape?) John Scalzi's Old Man's War? (Sadly not on the shelf of my local B&N, likely one reason why I shop at the Mystery and Imagination bookstore.) HP Lovecraft's stories of "alien terror?"

Stories that blur the distinction between fantasy and science fiction are as old as the genre themselves, smartly Crichton notes this, so is it useful to have a distinction?

I think there is, but I don't know exactly where to place that distinction except to say that science fiction stories attempt a scientific (even if it is an imaginarily scientific) description of the fantastic things they describe. But where does that leave the Harold Shea stories? D'oh.

What are your thoughts on the subject?

Wednesday, September 19, 2007

Zombies. The real threat to American safety.



Hat tip to Chris Roberson.

While the Rest of the World "Talks Like a Pirate"

I'm going to SLAM EVIL like the Phantom!



Spawned from the inventive mind of Lee Falk in February 1936, (that's two years before Superman for those of you counting), the "Ghost Who Walks" and his dog Devil became the scourge of pirates everywhere.

I am officially renaming International Talk Like a Pirate Day to the more heroic International Act Like the Phantom Day. And the next time some one says to me, "show me yer booty ye swab," I'm going to whip out my twin .45s and gun em down in the street.

Monday, September 17, 2007

The Wheel of Time Turns: RIP Robert Jordan



As I was doing my daily internet routine yesterday, I came across some sad news at SF Signal. James Oliver Rigney, Jr., known by most as Fantasy author Robert Jordan, died yesterday of complications from primary amyloidosis with cardiomyopathy. For his fans, this news is devastating enough, but I think this also ranks as a major blow to Fantasy fiction.

In defending that statement let me say, that while I have read all of the published "Wheel of Time" books, I have never been a devoted fan of "Robert Jordan's" fantasy tales. I have been in many conversation with others who were critical of the series and usually agreed with their criticisms that the series was "derivative" and did little that is new in speculative fiction. I have also been frustrated by the long wait between novels and the apparent attempt by the author to leave no narrative strand resolved. Each book added new complications while rarely resolving the complications of prior books and each book was so convoluted that I often had to reread the entire series when a new book came out just to know what was going on in the most recent book.

Those words above don't seem to be those that would be written by someone who believes that the loss of Rigney, at a relatively young age I might add, is a tragic loss to the Fantasy genre. But that is exactly how I feel.

Though I primarily read the books so that I could discuss them with friends who were more devoted, and enthusiastic, fans than I, I read them and as I did so I noticed something magical about the works.

What's this? Magic in something I found flawed? Yes, magical.

These were books which were wonderful introductions, surveys if you will, to the entirety of speculative fiction. By using the most common trope, the young boy on a quest, as the foundation of the story and adding elements from across speculative fiction, Rigney created a series that was the perfect gateway series into the hobby. His series was the perfect "second series" to recommend to potential Fantasy fans who wanted to know what to read when they were done with Lord of the Rings. Yes, his "world" borrowed liberally from the tropes established in that canonical series, but he also introduced tropes from other sf/fantasy tales. Do you want a series that makes Dune less daunting to the new reader? Explain to them how the Bene Gesserit are similar to the Aes Sedai and that Paul Atreides is similar to Rand al'Thor, heck there are even devoted bedouin tribe awaiting the arrival of a messianic figure. "Wheel of Time" borrowed from Dune as well as The Lord of the Rings. The list doesn't stop there. It could include Milton's Paradise Lost, the whole King Arthur ouevre, Susan Cooper, Ursula LeGuin. Name an author of speculative fiction, and Rigney probably melded some of their concepts into his fiction.

This was intentional. The "Wheel of Time" was supposed to be a "collective myth" which mirrored all other possible myths. In writing this series Rigney created a sampler of the fantasy and science fiction genres. If you could read and enjoy "The Wheel of Time," you would most certainly enjoy the fiction of other, arguably more proficient, writers of speculative fiction.

"Robert Jordan" was a gift to the fantasy field. He was a regularly best selling author whose works pointed to other works by which one could expand their appreciation of speculative fiction. At least he was when I talked with my friends. I have never been one to criticize my friend's tastes in fantasy, only to find what they enjoy and to use those as springboards for new adventures. In conversations with my friends who are fans of "Jordan," I found near limitless opportunity to recommend further readings. Friends who read "Jordan" on a lark, because he was a best selling author, became long time fans of sf/f after discussing the novels with me.

That is a great gift to the genre and one which I am sad to see go. This leaves two authors who have left unfinished fantasy sagas in the past year. David Gemmell passed away before he could finish his exciting retelling of the Trojan War, and now it appears that "Robert Jordan" has passed away before finishing his epic saga.

You can discuss your thoughts regarding this and other topics with me on my radio show geekerati tonight at 7pm pacific.

Wednesday, September 12, 2007

My Childhood Dreams are Coming True. A Tron Sequel is in the Works.





Every now and then we here at Cinerati get an exclusive interview. After reading in the Hollywood Reporter that a sequel to Tron was in the works, I rushed to my Rolodex and pulled up the name of someone with an intimate connection with the project.

I'd like all of you to welcome our guest today. Our good friend Bit will be answering our questions regarding the new Tron film.



Hi Bit, are you excited about the new "Tron" sequel being produced by Sean Bailey and Steven Lisberger?


YES

Do you know who will be directing the movie?


YES

Can you tell us the name of the person who will be directing the movie?


NO

Do you really know who will direct the movie?


YES, YES, YES, YES!

But you still can't tell us his name?


NO

Why not?



Hmm...oh, that's right you can only answer yes or no questions, correct?


YES

That being the case, I don't want to try and wrangle too much information out of you. I guess those who want to know more ought to just read Borys Kit's article over at the Hollywood Reporter right?


YES, YES, YES, YES!


After you all read the article. If you want to talk about it, you can join us over at Geekerati on Monday night at 7pm Pacific.