Tuesday, March 30, 2010

GAMA Announces 2010 Origins Awards Nominees

This week the Game Manufacturer's Association (GAMA) announced their annual list of Origins Award Nominees. The Origins Awards are the most prestigious award in the Adventure Gaming hobby and the winners are determined by the members of the Academy of Adventure Gaming Arts and Design, a committee of GAMA. This year's list contains a wide variety of nominees, covering many genres within the gaming hobby. The nominees themselves are selected by retailers and industry professionals at the Game Trade Show based upon a selection of recommendations from category juries. The juries are made up, as they have been since the early 1980s, of a combination of industry professionals and serious hobby enthusiasts. This ensures that the Origins nominations have input from fans, retailers, and creators which helps give the awards their well deserved prestige.

I will have some more comments regarding this year's nomination process and my disappointment with some of the publishers who failed to submit their products for consideration, but I wanted to take the time today to congratulate this year's nominees and to provide my input regarding the games and books that have been nominated.

Here is the list of nominees for the 36th Annual Origin Awards followed by my own commentary regarding the individual products:

Today, I'll be commenting on the first two award categories and will comment on the remaining categories throughout the week.

We begin with card games.

Card Game

The Isle of Dr. Necreaux – Alderac Entertainment Group




The Isle of Doctor Necreaux is a cooperative card game where the players attempt to rescue some of the worlds top scientists from the nefarious Doctor Necreaux. This game combines several features I find almost irresistible -- Pulp Villains, Gargantuan Reanimated Cyborg Apes (Julius Schwartz would be happy to see this too), and cooperative play. Alderac Entertainment Group has made a real push to move into the non-collectible, non-rpg, hobby game market over the past few years and it is really paying off with games like Necreaux.





Looney Labs Fluxx card game engine is one of the great underlying mechanical systems in modern card gaming. The game starts with only two rules -- draw one card, play one card -- and from there anything can happen as each card play modifies the rules of the game. These modifications can be anything from altering the number of cards drawn to establishing the terms by which a player can win the game. The Fluxx engine is a perfect example of how to utilize exceptions based rules mechanics to create interesting play. The first game in the series Fluxx was an abstract card game, in the sense that it had no theme, but Looney Labs eventually expanded the line with themed versions of the game where the cards featured their own twists on game play. Martian Fluxx is the latest entry in the series and uses the classic 50s style martian invasion as the basis for playing mayhem.





Okay, how had I not heard of this game. A card game described as, "The Game of Monkeys and Poo Flinging" would quickly be added to my gaming shelf. This is especially true when the publisher responsible for the game is a company I trust for good game design and high quality components. It is also a company I hope will survive the year. Catalyst recently discovered, "that business funds had been co-mingled with the personal funds of one of the owners. We believe the missing funds were the result of bad habits that began alongside the creation of the company, which was initially a small hobby group. Upon further investigation, in which the owner has willingly participated, the owner in question now owes the company a significant balance and is working to help rectify the situation." This is a cautious way of stating that an owner/employee took money that belonged to the company for personal use, an occurrence that is all to common in the gaming industry. Catalyst assures its customers that the problem has been rectified. I hope so and I hope that the situation is handled in a way that prevents future damage to Catalyst.





Any time that Steve Jackson Games releases a game that isn't another in the long line of Munchkin related merchandise, it warms my heart and gives me hope that the company will continue to thrive. The fact that The Stars are Right is a fun game that whimsically plays around with eldritch horror is icing on he cake. SJG is currently suffering from what is often called the 80/20 rule where 80% of the company's revenue comes from one product line. Hopefully people will check out the great products that SJG has been producing over the past few years and realize that GURPS isn't dead and that SJG -- who started out as a hobby game company -- is producing great non-Munchkin games as well. While you're buying a copy of The Stars are Right, which you should, check out the new Pyramid online, Revolution, and the awesome new edition of Frag.





Thunderstone is AEG's second nomination in this category, a fact demonstrating their smooth transition into the broader hobby game field. The game follows the recent trend of games like Dominion and Fantasy Flight Games Living Game System in that it combines the customization of deck building with the non-collectible nature of a traditional game. For many gamers, I count myself among them, this is an ideal combination. Players can construct unique playing experiences and combine card abilities in interesting ways without having to take a second mortgage on the home in order to afford the ultra powerful "rare" cards in the Collectible Card Game secondary market.


While I have played, and still play, a wide variety of role playing games, my favorite segment of the gaming hobby is the board game sector. Like the card game sector, it includes great games that can be gateway games to other aspects of the hobby. How many Talisman players went on to become roleplayers or miniatures aficionados? How many people became D&D players after playing Heroquest or The Dungeon? I imagine quite a few. The post "German-Invasion" years have seen the quality of components increase in the hobby as a whole. Where one might once have found that the hobby industry production standards were often lower than those of mainstream games, that isn't true for the modern hobby game. Gone are the days where games as fun and worthy of replay as The Creature that Ate Sheboygan are released by major hobby manufacturers with second class components like "die cut counters" and a poorly produced map. If that game were to be produced today, it would be a lavish affair with sculpted minis for the monster and sturdy components representing the defenders of the city. To be fair, the Charles Vess cover on the original game couldn't be much improved upon, but the rest of the games components would be vastly improved.

Board Game





Castle Panic follows the recent trend toward collaborative/competitive games. The players of Castle Panic must work together to defend the castle from the invading armies of orcs, trolls, and goblins that besiege it. A player can only become the victor of the game if the players succeed at their goal of defending the castle -- the winner is the player with the most victory points after a successful defense. Castle Panic is coming close to displacing one of my two favorite cooperative boardgames (Lord of the Rings and Ghost Stories) as a game that stays on the bookshelf in the "game room" rather than being relegated to the closet of gaming goodness or the storage pit of doom.





Z-Man games is a company who has made the transition from small press company, whose games had nominal component quality, to one of the leading hobby game companies in the United States. Endeavor is a perfect example of why this company has been so successful in the past few years. The game features all of the desirable qualities of a Eurogame. It features an interesting premise, players of the game set out in search of new lands and new civilizations in an attempt to expand their trading empire. The game plays easily, has high quality components, and only takes about an hour and a half to play a full game.





Days of Wonder doesn't release a lot of games, but every game they have released to date has been a winner. From Memoir '44 and Battlelore to Ticket to Ride and Mystery of the Abbey all this company has done is release playable and high quality games for hobbyists to enjoy. Small World is a fantasy reworking of the classic game Vinci. Both games are about expanding civilizations, but Vinci featured a larger map that enabled some players to avoid conflict during game play -- especially during 3 player sessions. The game is similar to Brittania in that players civilizations change over the course of play as their old civilizations fall into decline and they need to adopt new civilizations to keep generating points for victory.





When Games Workshop announced that they were re-releasing an updated version of Space Hulk with a limited production run, the young child in me screamed with giddy joy. When I found out that the release would be an update of the first edition rules, that Matt Forbeck lauded in Hobby Games: The 100 Best, my heart nearly exploded from excitement. I have always enjoyed the first edition and its mechanics and preferred them to the second edition (I own both). This version of the game incorporates rules from the original game and the Genestealer expansion and contains some of the most beautiful plastic playing pieces of any Games Workshop game to date -- and that is saying something. These miniatures are awesome. If you love the idea of playing a game inspired by Alien this is the game to play.





Martin Wallace's series of train games are some of the best games in the genre and Mayfair games is the leading manufacturer of train themed board games. With Steam they have a game that demonstrates why the genre is so popular. Players of prior Wallace train games will recognize the mechanics of the game, but this package has a lot to offer with its depth of play and quality of components. If you have never played a train game before, this is a great place to start.


While that completes the analysis for today's post, here is a list of the remaining nominees.

Children’s, Family, or Party Game
Are You The Traitor? – Looney Labs
Duck! Duck! SAFARI! – APE Games
Pack and Stack – Mayfair Games
Ren Faire – Atlas Games
Word on the Street – Out of the Box Publishing


Roleplaying Game
Doctor Who: Adventures in Time and Space – Cubicle 7 Entertainment
Eclipse Phase – Catalyst Game Labs
FantasyCraft – Crafty Games
A Song of Ice And Fire – Green Ronin Publishing
Supernatural Roleplaying Game – Margaret Weis Productions


Roleplaying Game Supplement
Big Damn Heroes Handbook – Margaret Weis Productions
The Day After Ragnarok – Atomic Overmind Press
Seattle 2072 – Catalyst Game Labs
Warriors & Warlocks – Green Ronin Publishing
Weird War II – Pinnacle Entertainment Group


Miniatures Figure or Line of Figures
Duke Rathar, Dragon Lord – Fantization Miniatures
Kings of War: Elves – Mantic Games
Marvel HeroClix: Hammer of Thor Expansion – WizKids
Monsterpocalypse Series 4 – Privateer Press
Warhammer Armies: Skaven – Games Workshop


Miniatures Rules
BattleTech: Strategic Operations – Catalyst Game Labs
HAVOC: Tactical Miniatures Warfare – Voodoo Ink Publishing
Larger Than Life – Two Hour Wargames
Warhammer 40K: Planetstrike – Games Workshop
Warmachine Prime Mk II – Privateer Press


Game Accessory
Arkham Horror Dice Set – Q-Workshop/Fantasy Flight Games
d20Pro – Mindgene, LLC
Forsaken Lands Poster Map – Maps of Mystery
Fortress of Redemption – Games Workshop
Knights of the Dinner Table – Kenzer and Company


Game-Related Book
BattleTech: 25 Years of Art and Fiction – Catalyst Game Labs
The Best of All Flesh – Elder Signs Press
Cthulhu 101 – Atomic Overmind Press
Deluge – Pinacle Entertainment Group
Legend of the Five Rings: Death at Koten – Alderac Entertainment Group


Historical Board Game or Expansion
The Hell of Stalingrad – Clash of Arms Games
Richard III: War of the Roses – Columbia Games
Conflict of Heroes: Storms of Steel – Academy Games
D-Day at Omaha Beach – Decision Games
Unhappy King Charles – GMT Games


Historical Miniatures Figure or Line of Figures
Wings of War Albatross D.III – Fantasy Flight Games
15mm Parachute Rifle Company – Battlefront Miniatures
15mm Ming Chinese – Old Glory Miniatures
28mm British Napoleonic Infantry – Victrix Miniatures
28mm World War I: Great War in Africa – Brigade Games


Historical Miniatures Rules
Flames of War: Open Fire – Battlefront Miniatures
Wings of War: World War II, Deluxe Edition – Fantasy Flight Games
Napoleon’s Battles, 3rd Edition – Lost Battalion Games
“La Salle” Napoleonic Tactical Wargame Rules – Sam Mustafa
Warlord Games Black Powder Rulebook – Warlord Games


Historical Miniatures Rules Supplement
Flames of War: North Africa – Battlefront Miniatures
Eternal Empire: The Ottomans at War – Osprey Publishing
Battles of the Seven Years War: Austria vs. Prussia – Test of Battle Games
Fields of Battle: Atacar es Vencer! – Spanish Civil War 1936 – Iron Ivan Games
Commonwealth Skirmish Scenarios – Southern Maryland Press

Friday, March 26, 2010

Green Ronin Releases Family Games: The 100 Best

Two years ago, Green Ronin Publishing released one of the best books on hobby gaming ever written. Their book, Hobby Games: The 100 Best, featured thoughtful articles highlighting some of the best games in the history of the gaming hobby written by some of the best game designers in the industry. Some of the games were well known and are played by thousands of gamers on a regular basis, others were rare games that influenced the creation of the games people play today. One thing is certain, the game became a Christmas Wish List for many gamers and started an internet meme where game hobbyists listed the games they own/play.

Green Ronin has now followed up on the hobby game book with a book entitled Family Games: The 100 Best. With it the company hopes to provide for family games the same kind of invaluable resource they provided for the hobby game industry. The book was originally slated to be released last year's Gen Con convention, but was delayed for a variety of reasons.

Your average consumer isn't a collector of games and doesn't have room in their house for 1000+ board/card/roleplaying/family games and resources like these two books allow for those consumers to purchase games based on the opinions of individuals who have a great deal of experience in designing and playing games. Why James Lowder and the folks at Green Ronin have yet to ask me for an entry in their compilations is beyond understanding, but the list of games in this edition is once again a wonderful selection of the popular and the rare and consumers cannot go wrong with any of the games on the list.

I have provided a copy of the games included in the new volume below, those games that are bold are games that I own and those games that are italicized are games that I have played.

Family Games: The 100 Best

* Foreword by Mike Gray
* Introduction by James Lowder
* Afterword by Wil Wheaton
* Appendix A: Games and Education by David Millians
* Appendix B: Family Games in Hobby Games: The 100 Best by James Lowder

* Carrie Bebris on 10 Days in the USA
* Steven E. Schend on 1960: The Making of the President
* Dominic Crapuchettes on Apples to Apples
* Mike Breault on The Awful Green Things from Outer Space
* Jeff Tidball on Balderdash
* Keith Baker on Bang!
* Bruce Harlick on Battleship
* James Wallis on Bausack
* Paul Jaquays on Black Box
* Lewis Pulsipher on Blokus
* Teeuwynn Woodruff on Boggle
* Fred Hicks on Buffy the Vampire Slayer
* James Ernest on Candy Land
* Ian Livingstone on Can't Stop
* Bruce Whitehill on Careers
* Jared Sorensen on Cat
* Wolfgang Baur on Cathedral
* John Scott Tynes on Clue
* Alessio Cavatore on Condottiere
* Elaine Cunningham on Connect Four
* Will Hindmarch on Cranium
* Erik Mona on Crossbows and Catapults
* William W. Connors on Dark Tower
* John D. Rateliff on Dogfight
* Robert J. Schwalb on Dungeon!
* jim pinto on Dvonn
* Gav Thorpe on Easter Island
* Jeff Grubb on Eurorails
* Kenneth Hite on Faery's Tale Deluxe
* Richard Dansky on Family Business
* Warren Spector on Focus
* Corey Konieczka on For Sale
* James M. Ward on Fortress America
* Stan! on Frank's Zoo
* Bruce C. Shelley on The Game of Life
* Phil Orbanes on A Gamut of Games
* Monica Valentinelli on Gloom
* Matt Leacock on Go Away Monster!
* Steve Jackson on The Great Dalmuti
* David "Zeb" Cook on Guillotine
* Jason Matthews on Gulo Gulo
* Joshua Howard on Halli Galli
* Bruce Nesmith on Hare & Tortoise
* Mike Pondsmith on HeroClix
* Anthony J. Gallela on HeroQuest
* Chris Pramas on HeroScape
* Ed Greenwood on Hey! That's My Fish!
* Colin McComb on Hive
* Alan R. Moon on Hoity Toity
* Jon Leitheusser on Ingenious
* Uli Blennemann on Java
* Luke Crane on Jungle Speed
* Monte Cook on Kill Doctor Lucky
* Emiliano Sciarra on Knightmare Chess
* Todd A. Breitenstein on Liar's Dice
* Marc Gascoigne on Loopin' Louie
* Andrew Parks on Lord of the Rings: The Confrontation
* Seth Johnson on Lost Cities
* John Yianni on Magi-Nation
* Bill Bodden on Master Labyrinth
* Andrew Greenberg on Mastermind
* Ken Levine on Memoir '44
* Scott Haring on Mille Bornes
* Steve Jackson on Monopoly
* Sheri Graner Ray on Mouse Trap
* Kevin G. Nunn on Mystery Rummy: Murders in the Rue Morgue
* Dale Donovan on The Omega Virus
* Darren Watts on Othello
* Charles Ryan on Pandemic
* Michelle Lyons on Pente
* Thomas M. Reid on Pictionary
* Nicole Lindroos on Pieces of Eight
* John Wick on Pit
* Matt Forbeck on Pokémon
* Robin D. Laws on Prince Valiant
* Stephen Glenn on Qwirkle
* Sébastien Pauchon on Ricochet Robots
* Peter Olotka on Risk
* Richard Breese on Rummikub
* Jesse Scoble on Scotland Yard
* Richard Garfield on Scrabble
* Mike Selinker on Set
* Rob Heinsoo on Small World
* Hal Mangold on Sorry!
* Jess Lebow on Stratego
* Eric Goldberg on Strat-O-Matic Baseball
* Andrea Angiolino on Survive!
* Karl Deckard on Thebes
* Dan Tibbles on Time's Up!
* Tom Wham on Trade Winds
* Susan McKinley Ross on TransAmerica
* Ray Winninger on Trivial Pursuit
* Leo Colovini on Twixt
* Matthew Kirby on Uno
* David Parlett on Upwords
* Lester Smith on Werewolf
* John Kovalic on Wits & Wagers
* Philip Reed on Yahtzee
* Kevin Wilson on Zendo
* Jess Hartley on Zooloretto


As you can see, I own and have played a lot of these games. Some of them, like Heroquest and Heroscape, appeal to my "rpg" gaming personality. Others, like Zooloretto, are wonderful games for playing with people who want to play a great game but aren't interested in "fantasy" themes. I'm surprised at the absence of some games from the list, but I am not surprised that any of the games listed made the list. This is because there are more than 100 Family Games worth playing if you have the time.

Wednesday, March 24, 2010

My Twins Turn Two Today.

Today is my daughters' second birthday and, as will become an annual tradition, the day will begin with this delightful song from one of the greatest films of all time.



I'll give you three guesses why and the first two don't count.

Monday, March 22, 2010

Happy Birthday William Shatner!

I have said many times, and I'll say it again, I am not a Star Trek fan. I am a William Shatner fan. I first watched Star Trek in syndication and I truly cut my Shatner teeth on T.J. Hooker. The man has entertained me in television, film (Free Enterprise is genius), computer games (the Scott Bennie written Star Trek adventure game episodes are wonderful), books, and in music. For most of my life, the words Shatner and "recorded music" brought to mind weird performances of "Lucy in the Sky with Diamonds," "Rocket Man," and "Mr. Tambourine Man," (on the Transformed Man album) but thanks to Ben Folds, William Shatner released a wonderful record HAS BEEN. Prior to that album's release Shatner and Folds did a nice duet on Conan O'Brien.

Saturday, March 20, 2010

Dungeons and Dragons Revealed -- Why I Wish You Tube Had Been Around During the 80s

Can you imagine what all those Bothered About Dungeons and Dragons types would have done and said if they saw this video representation of a Dungeons and Dragons gaming experience?



Key "easter egg" points for me were:

1) The map from the Dungeons and Dragons black boxed set.
2) Miniatures from the Dragon Strike introductory roleplaying set.
3) Miniatures and "doors" from the classic Heroquest game.
4) The Jack Black moment.
5) The Blair Witch moment.
6) The use of Boccob.

Friday, March 19, 2010

Through the Gates of Ennui: Sharing Timmis and Fierro's "The Silver Key" Adaption


Fans of HP Lovecraft know that film adaptations of HP Lovecraft stories have a shaky history at best. Scads of tales have been adapted, but very few have been remotely watchable. The only real gem of the bunch is the silent version of "The Call of Cthulhu" produced by the H.P. Lovecraft Historical Society. The film is well done and captures the haunting tones of Lovecraft's story by rejecting any impulse to modernize the narrative or special effects. The Historical Society produced the film not only as a period piece, they produced the film "as if" it had been produced in 1926. In doing so, they created a genuinely enjoyable and powerful work. I look forward to seeing their to eventually be completed adaptation of "The Whisperer in Darkness."

Making films of successful and haunting Lovecraftian tales is difficult enough, but how difficult would it be to adapt a tale that is at its core problematic? Conor Timmis and Gary Fierro are two independent filmmakers who were brave enough to answer this question with their adaptation of "The Silver Key" entitled "The Silver Key." Cthulhu aficionado Ken Hite has said of what makes the tale so problematic, it's lack of true dread, "even Lovecraft didn't believe that "the oldest and strongest emotion of mankind is apathy," which is why there's a thriving horror literature, and tales of ennui are rapidly forgotten, dei gratia."

"The Silver Key" is a tale of ennui and not horror, but then again that seems to make it perfect for indie film fare.

The ten minute film is, like the HPLHS film, a silent film, but in this case they have updated the setting to the modern day. The use of daylight during the opening sequences of the film remove any weighty emotion introspection of the Randolf Carter character, haunting obsessive desires to retreat into childhood are better displayed at night, but the choice is a much less expensive choice than filming at night. There is a nice transition from bright to overcast/gloomy as the film progresses and couple of good uses of digital effects. One does wonder what the Yellow Sign is doing in the story, is the director implying that retreat into childhood leads to madness? The film runs 10 minutes. What do you think of it as an adaptation of this story?

You Should Be Reading "King of RPGs"



In his invaluable The Complete Guide to Manga¹, Jason Thompson writes, "Dragons and wizards, sword-wielding heroes with improbably large shoulder pads, terms such as levels and hit-points -- many of the trappings of Japanese fantasy can be traced to RPGs (role-playing games), the popular category of video and tabletop games that originated in America." Thompson follows this statement with a quick rundown of the development of the RPG field in Japanese culture and a discussion of the ascendancy of Video Game RPGs and Collectable Card Games and how tabletop RPGs enjoy a "small cult following in Japan, as in America." According to Thompson, roleplaying games influence on Manga as a whole is largely as a background influence, with few Manga being based specifically on roleplaying titles. There are some key exceptions, including the Record of Lodoss War series, that is based on the Japanese RPG Sword World by Ryo Mizuno and a couple of others, but for the most part RPGs influences the underlying archetypes of Manga fantasy without being a direct inspiration for the field.

Think of it in terms of the anime Dragon Ball Z's "Over 9000!".



Or even in terms of the cult classic martial arts film Kung Fu Cult Master's "if I have 6000 points, he has at least 10,000!.



Both of the above pieces of entertainment contain obvious roleplaying game references, but neither is a representation of a specific roleplaying game or aspect of roleplaying game culture, though R. Talsorian Games did release a roleplaying game based on Dragonball Z in 2000.

What has never really been done in Manga is a book about the people who play roleplaying games -- a kind of Manga equivalent of the Dead Gentleman The Gamers series of movies. Author Jason Thompson and illustrator Victor Hao have changed that with King of Rpgs. This book is Manga that is a send up of every aspect of the gaming hobby in a way that takes the meta-cognitive "tell the story of the adventure the group is roleplaying" storytelling of the Dead Gentleman productions and turns it on its head. King of RPGs isn't a book about how fun the stories gaming groups create during their playing sessions and how funny many of the common experience of the gaming group are. King of RPGs tells the story of gamers and gaming through the lens of a shōnen Sports Manga. These Manga take the competitive nature of athletics and transform them into wildly over the top stories that combine narrative tropes from Kung Fu films with "poverty to success" storylines. The formula, known as spo-kon is apologetically melodramatic and can be wildly humorous depending on the title. According to Thompson these Manga often feature stories where the hero, "through intense training...struggles to succeed in sports, although it is a long, hard road full of blood, sweat, and self-sacrifice. His coach or his father...is harsh and unforgiving, an archetype known as oni coach. Of course, he has the hero's best interests at heart...or at least the drive to win, no matter what the costs."

Take a second to imagine that description if you will. Imagine one of the players in your gaming group as the "poor struggling player" who through intense training will succeed in being the ultimate game player, although the path will be full of blood, sweat, and self-sacrifice. Imagine that you, the game master for the group, are the oni coach who must push this gamer to become the best he can be and to win at all costs. Imagine wild roleplaying sessions where you bring live snakes, throw dangerous objects at the players, and where the dangers the players face are as real as the ones their characters face. If you can imagine that, you can begin to imagine what Thompson and Hao are doing with King of Rpgs.

From the back of the book:

At the University of California, Escondido, no one would ever guess that freshman Shesh Maccabee is a hard-core gamer -- and in recovery to boot, following a court order, a wireless ban, and months of therapy (all because of one little seven-day Internet cafe episode). His friend Mike -- who personally prefers Japanese-console RPGs -- is tasked with keeping Shesh far away from any computer with access to World of Warfare.
Everything is going according to plan -- until a Ren Faire fangirl introduces them to the campus gaming club, where they meet Theodore, a fanatical tabletop game master whose single goal in life is to run the greatest Mages & Monsters game in the world. And there just happens to be room for two more players. Soon Shesh and Mike are dragged into the dungeon of hard-core gaming -- and cops, baboon men, Sri Lankan cave roaches, and Gothemon card collectors converge in the zaniest adventure that ever involved twenty-sided dice!


In the first volume of the series, Thompson and Hao manage to spoof, parody, and turn into dangerous life-threatening activity, almost all aspects of the gaming hobby. The only thing they leave out are the board gaming community with its fertile Diplomacy and Eurogame fields, but I am sure that those will have their day as well.

Victor Hao's artwork is dynamic and he manages to bring the wild visual storytelling one would expect in a Football or Baseball Manga into a representation of tabletop game playing with remarkable skill. Hao makes playing an RPG look like a visually exciting activity! Trust me, this is quite an accomplishment. Imagine turning the conversation in Plato's Republic into an action movie, not what they are describing the actual conversation. Not easy right. Hao could do it. I know, because he made sitting around a table chatting look fast, furious, and life-threatening! The panel to panel artistic storytelling is excellent. Hao's artwork leads the reader's eye naturally from panel to panel. Hao's Manga caricatures are well drawn throughout the book, though there are some pages/panels where I think he could have added more consistency to the line art. The monster designs are excellent and Hao does a wonderful job differentiating the "fantastic" sequences and hyper-action sequences from the "real world" sequences in a way that visually notifies the reader what emotional queues they should be following.

Thompson's writing on the book is strong. The reader immediately sympathizes with Shesh and his friend Mike, and we come to like their gaming group as well. Theodore Dudek, the young Game Master (read oni coach), of the book is a glorious creation. A creation that Thompson is so fond of that he even created a blog "written" by the character. True to form, Dudek's blog is not only a good "send up" of the Gygaxian personality GM from the 80s, it is also a very good game blog.². Thompson, a gamer who cut his teeth on the classic Erol Otis covered Red Box edition of Basic D&D, has a wide knowledge of the gaming hobby and is able to incorporate references to the tabletop RPG, live-action RPG, CCG, and Video Game genres seamlessly and fluidly into the narrative. He is also a master of taking what seems like a relatively mundane scenario and turning it into a nightmarishly wild experience for the participants. Thompson also pokes a bit of fun at the anti-D&D (and other games) sentiment that rears its head from time to time in the Culture Wars and has a character dedicated to eradicating game playing due to its harm to society. One wonders when/if Thompson and Hao will include a send up of the classic Chick Tract -- Dark Dungeons.



I cannot wait to see what they could do with the above panel.

I highly recommend the King of RPGs Manga for any gamer fan, or really for anyone who wants to read a funny over the top story about college kids. The book is quite fun. My only criticism is that we have to wait almost a year before the second volume is released. It only takes about half-an-hour to read the Manga, and it leaves you wanting more. It doesn't leave you wanting to wait a year! It's like Frito Lay potato chips, you want more than one!

To help tide us over. Thompson and Hao are offering a lot of behind the scenes information on the King of RPGs blog and have posted this hilarious Book Commercial for the Manga based on Sonny Chiba's classic Satsujin ken (aka The Streetfighter).





¹At least it's been invaluable to me as a non-Otaku. The book has served as a wonderful introduction and critical resource of recommendations for me as I explore what Manga I think might be worth investing my time and money in reading. It has become the Manga equivalent of Thomas Weisser's excellent Asian Cult Cinema. Weisser's book turned me from a fan of films like Hardboiled and The Killer into a full blown obsessive fan of films like Bride with White Hair, Swordsman 2, and Chinese Ghost Story. My friend Jay and I made several road trips to the Bay Area in order to buy Tai Seng videos that eventually covered a wide array of genres.Return to Text.

²Though for some reason Thompson doesn't always post comments from Dudek's imaginary nemesis (B N Nemecz) who stops by the site to harangue the lad. Nemecz put a little bit of work into a post responding to Dudek's "First Time DM'ing Tips: Part 1" that has yet to see the light of day. It should also be noted that Thompson's Dudek blog stirred a bit of a controversy on the RPG Bloggers network. Some readers felt that it was a "marketing ploy" and should be excluded from a network of gaming blogs, but other argued that the blog -- in addition to being a viral marketing attempt -- was a very good gaming blog in its own right. While I wouldn't confuse "Dudek's" opinions with Thompson's by assuming they are one and the same, "Dudek" brings up some interesting points for conversation.Return to Text.


Tuesday, March 16, 2010

Generic Movie: Hollywood as of 1980 or as of Its Origins?



Sean Mattie and I have been discussing, via email, the current fiscal/narrative conservatism that Hollywood seems to be exhibiting of late. His argument, and it is a common argument among critics, is that Hollywood is "no longer" in the business of making original productions and now busies themselves with adaptations of other works and long strings of sequels/remakes.

Having read The Day of the Locust (and seen the movie) and The Loved One (and seen that movie too), I am less critical of modern Hollywood than he is. I think that Hollywood has always been in the business of being risk averse and that the question to consider is whether the overall quality of entertainment offered today is less than that of any other given point in history. I am also of the opinion that quality is up compared to most eras of cinema, but that classic movies of the past are...well...Classic.

Speaking of The Day of the Locust, the thing I have always liked most about the Simpsons television show is how Homer Simpson continually visually references his namesake and his "big hands" in the majority of episodes. Every time Homer is choking Bart, you are getting a glimpse of the end of The Day of the Locust.

MBA Finals, not to be confused with NBA Finals

I am currently in the midst of Finals season for the quarter and posting has been light. Sorry, but my mind is currently filled with visions of Share of Voice and Net Present Value, and has been distracted from the world of popular culture.

Thursday, March 11, 2010

Supercrew RPG Update


Back in January, I reviewed the independently published superhero roleplaying game "Supercrew." Overall, I gave the game a glowing review.

In conclusion, I think that this is an excellent game at a reasonable price. It isn't likely to replace Savage Worlds' Necessary Evil campaign in my game rotation any time soon, but I think I'll be trying to fit it in when some players don't show up for our regular sessions.


But there was one small thing that kept nagging at the back of my consciousness. I really wanted the game to have more online support. In fact, I wanted it to have any online support.

Well...the good folks at Kaleidoskop have updated their website so that it now includes a support site for players of the English language edition of the game. So far the site merely includes some sample pages from the game and character sheets for use in your home campaign, but it's a good start.

I'd still like to see some more support with regard to designing obstacles and villains for the heroes to face or an English language version of their Hjältegalleri which features a number of characters created using the system would be helpful. While it isn't difficult to figure out what Gravitationskontroll or Noll Friktion are in English, Osynlighetskappa is another matter entirely.



Tuesday, March 09, 2010

Tron: Legacy Releases Second Trailer


I mentioned in an earlier post that December 17, 2010 will be a very busy day at the movies. That day will see the release of The Smurfs, Yogi Bear, Tron: Legacy, and The Green Hornet. I am eagerly awaiting Tron: Legacy and I can already hear my twin daughters -- who will be 33 months this December -- trying to pressure me into taking them to see The Smurfs or Yogi Bear.

Late last year, Disney released a teaser trailer for Tron: Legacy that demonstrated how cool lightcycles look with modern computer effects. They looked stunning with 80s "super computer" visual effects, and the new ones are just as mind-blowing as the original effects where when they first came out.




I have always thought that the original Tron film did a great job of conveying basic computer concepts to a wide audience. The fact that it conveyed these concepts with visual storytelling concepts made it all that much better. I wonder how many Gen X computer programmers and video game designers were inspired by Tron? The inter-relatedness of programs in Tron, and its use of the "Master Control Program," predated the internet and the Windows operating system -- or the Apache HTTP Server Project -- but the world presented in the film "assumed" such advances would take place. The film forever shaped how I viewed "cyber landscapes" when I read the fiction of William Gibson or Bruce Sterling.

It's hard for sequels, especially sequels separated by decades, to recapture the magic of earlier episodes of a film series. In many ways, remakes have an easier time introducing entertainment to new audiences or rekindling fandom among old hands. Compare the Star Wars prequels and Bryan Singer's Superman Returns, and their reception, to JJ Abrams' Star Trek or the Battlestar Galactica television reboot. The "sequels" earned fan ire, and didn't fire the imagination of new generations in the same way as earlier entries had.

Tron: Legacy is taking the more difficult path. It is a direct sequel of the original film, though one where the "real time" between the two films is the same as the time that has passed during the films. The use of the narrative trope of a son looking for his lost father -- and his legacy -- is as old as Homer, and it is a good narrative technique for introducing new audiences to old ideas without overly irritating the older audience. One can forgive narrative exposition when it has a narrative purpose. I don't know how this story will play out, and one can certainly induct very little about the plot of the new Tron movie from the newest trailer, but the more I find out about the sequel the more I want to watch it.




Obviously, this is a film that I will have to see in 3D.

Thursday, March 04, 2010

PULP 2.0 Press Publising BROTHER BLOOD


I don't normally cut and paste press releases on this site, but I am making an exception in this case. PULP 2.0's publisher Bill Cunningham is a friend of Cinerati and he has a strong vision with regards to promoting modern pulp fiction. Cunningham remembers well the bygone days when a young reader could pick up action packed fiction filled with references to "blazing twin .45s" where "sinister cabals" lurked around every corner, and where only heroes who were quick to pull the trigger could save the day. This was back before publishers decided that "Young Adult" readers "needed" heroes who "stupified" and "paralyzed" their opponents. The stakes were life and death, and the heroes meted out death with righteousness.

Cunningham's PULP 2.0 production company is releasing a series of book and other products that revel in this pulp spirit. In the tradition of the classic film Blacula, their first publication is the blaxploitation novel BROTHER BLOOD.

For Immediate Release:
Pulp 2.0 Press
Newpulpmedia@gmail.com





New Publisher Pulp 2.0 Press Officially Launches
with Author Donald F. Glut's
Lost Vampire Blaxploitation Novel BROTHER BLOOD

Company to specialize in quality pulp entertainment, reprinting rare classics and developing new properties
in the classic pulp form for the Horror, Scifi and Action-Adventure audiences


Los Angeles, CA - Bill Cunningham, the Mad Pulp Bastard (yes, that's his job title) of new publishing label Pulp 2.0 Press today announced its premiere pulp novel release, Brother Blood from author Donald F. Glut (The Empire Strikes Back novelization, TV's Transformers, The X-Men and comics' The Occult Files of Doctor Spektor). Brother Blood is a horror "blaxploitation" novel set in 1969 Los Angeles in and around the world famous landmarks of the Sunset Strip. Sexy Preston Duval is a sinister vampire stalking the streets of Los Angeles, building a vampire army to take over the city.

"Brother Blood is an old school pulp novel that captures the tone of the sort of material we'll be publishing here at Pulp 2.0 Press," said Cunningham. "Besides being a piece of pure entertainment, Blood captures the feeling of the time - having been originally written in 1969, three years before Blacula - and is premiering in english and novel form. It was published previously in the 70's in an edited, magazine form in German. "


Brother Blood will be published and distributed worldwide through Createspace's (www.creatspace.com) print-on- demand service and Amazon.com with low-cost digital editions available later for Kindle and other e-readers. Each print edition will feature "Extras" containing behind-the-scenes information, articles, photo essays and other exclusive entertainment.

In addition to collectible print editions for all of their releases, Pulp 2.0 Press has launched a promotion program for each of their titles. Starting with Brother Blood each Pulp 2.0 title will also feature signed extremely limited edition cover proofs that will be available free to only five lucky readers who are the first ones to send in pictures with themselves holding the book. Winners will be posted on the company's Facebook page: (www.facebook.com/pulp2ohpress).


In addition to the signed cover proof promotions, each title will be supported with various types of merchandise geared toward fans - posters, t-shirts and branded novelty items. Quality pulp entertainment items that fans can easily acquire.

"The whole company came about because so many cool pulp and exploitation novels that I wanted to read had fallen out of print and were really hard to track down. I figured that if the only way I was going to be able to read these books in affordable editions was to publish them - then I would do that. I tracked Don (Glut) down and licensed several of his books - more of which we'll announce soon - and got underway."

Cunningham added, " Since that initial startup we've added several artists and writers to the mix as well as a web marketing manager. We've all signed on to the idea of creating the kind of books we as fans want to see and figuring the best way to make pulp fiction fans happy. As a youngster I remember the classic Famous Monsters magazine and how editor Forrest J. Ackerman used to get monster fans involved. Those fans eventually grew up to become the very professionals they were enamored with in the first place. You'll recognize some of the names: John Carpenter, Joe Dante and yes, Donald F. Glut. Thanks to the internet and meeting fans at conventions we can do the same and connect them with quality genre entertainment more than ever before - hence, the name and the mission Pulp 2.0. "

# # #


For more information, or to schedule an interview please contact:

newpulpmedia@gmail.com
Facebook: www.facebook.com/pulp2ohpress
Twitter: @madpulpbastard
www.pulp2ohpress.com
www.donaldfglut.com

Brother Blood
By Donald F Glut, cover art by Nik Macaluso from Pulp 2.0 Press

The classic vampire "blaxploitation" novel from author Donald F. Glut (THE EMPIRE STRIKES BACK, TRANSFORMERS). A vampire stalks 1969's groovy Sunset Strip. The police are clueless but a trio of true believers know the horror in their midst. Written in the same style as the original Dracula, Brother Blood is a bloodsucker for the Groovy Age.


Publication Date:Feb 05 2010
ISBN/EAN13:1450576397 / 9781450576390
Page Count: 372
Binding Type: US Trade Paper
Trim Size: 5.25" x 8"
Language: English
Color:Black and White
Related Categories: Fiction / Horror
Retail: $18.99